Animals: Nature’s Grand Gift

This exhibition exemplifies the veracity of the adage that artists hold mirrors to the worlds in which they live. Here, they reflect on humanity’s complicated, often ambiguous, sometimes cruel relationship with living creatures.

The bond of unconditional love between humans and domesticated animals has been a compelling subject for artists dating back to such iconic Renaissance masterpieces as Jan van Eyck’s Giovanni Arnolfini and His Wife and Leonardo da Vinci’s Lady with an Ermine. As the works in this exhibition demonstrate, that fascination is alive and well in the 21st century, with all of the attendant symbolism. Susan Rothenberg’s self-portrait with her horse and three dogs is anchored by a fence that might either offer protection or hold the world at bay.

The ceramic Colima dogs made by artisans of northwestern Mexico were, for centuries, entombed as effigies to bring warmth and ebullience to the afterlife. Of course, the beloved hairless dogs on which they are modeled have also occasionally served as dinner.

The fact that 70 percent of the world’s bird population is comprised of chickens destined for our tables has not escaped the notice of artists such as Ron Mueck and Megan Rye, who suggest the terrible beauty of food processing. Other artists, such as Vera Mercer, depict the sumptuous, laden tables that result from those efforts.

Although extinction is a natural phenomenon, scientists warn that the earth is losing species at a rate 1,000 times that of past centuries and, unlike the natural disasters that caused previous die-offs, most of the current problem is caused by human choices such as rain forest eradication, overfishing, excessive carbon emissions and, simply, the killing of endangered animals for sport.

Hung Liu’s painting of a deer struck down in her neighborhood and Mark Calderon’s tortoise, unable to right itself, make these issues visible.

Some of the show’s animals are totemic or cultural symbols, while other images are straightforward portrayals of creatures’ elegance, cleverness, strength or perseverance. Joseph Scheer looks at the complex patterns of a moth’s wings, while Tony Fitzpatrick captures the graceful beauty of two nighthawks as they careen on evening currents, swooping low to catch insects.

Finally, there are the artists who are compelled to portray animals caught in acts of wild abandon, simply being themselves, such as John Divola’s Running Dog and Joseph Piccillo’s leaping horse.

As most of us go through our daily lives, we give hardly a thought to the incredible creatures that live just beyond our walls. Thus, it is fitting to remember that each one holds a critically important place in nature’s interdependent network.

Colima Dogs

Mexico, 20th Century

Glazed earthenware

Karen and Robert Duncan Collection

Ashley Goodwin, United States, 1984

Proud to Serve You, 2017

Inkjet print

Karen and Robert Duncan Collection

Ron Mueck, Australian, 1958

Chicken, 2009

Paper mache

Karen and Robert Duncan Collection

Vera Mercer, Germany, 1936

The Pig, 2006

Photography

Karen and Robert Duncan Collection

David Gilhooly, United States, 1943 - 2013

Corned Beef on Rye, 2017

inkjet print

Karen and Robert Duncan Collection

Stan Natchez, United States, 1954

Bringing the Flag Home, 1993

Oil beadwork and U.S. currency

Karen and Robert Duncan Collection

Joseph Piccillo, United States, 1941

EP V, 1995

Lithograph

Karen and Robert Duncan Collection

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